With a work by Trickle in mind, move beyond the initial brief: clarify access, authorisation and the responsibilities between delivery and installation.
Acrylic paint on canvas; silkscreen on paper in an edition of 30. Two Gladpow works help explain how technique, support and edition fit together.
A wall photograph, a real artwork and a few clear decisions: prepare a practical office art brief using Manuel Skirl’s RESIDUUM as a reference.
Two works by Manuel Skirl offer a starting point for choosing art across an office: a visible connection, meaningful differences and room for future choices.
One small work by Exposito helps explain why an arrival route and a meeting table call for different art briefs.
An apartment address, a work made from cans and a few questions: prepare for a first visit to Galerie Dumas without needing a purchase decision.
Me Lata’s LEIWAND connects a readable word with the uneven shapes of reused cans. Exhibition context and the work’s own record each have something different to tell a collector.
Start with a work you return to. Exposito’s JAUNE & BLEU offers a concrete way to consider what a new acquisition might change in your collection.
A nest held high, a smile painted across a face, an embrace among lemons: three Agrume paintings offer a collector a way beyond the first impression.
A practical checklist for the step between discovering an artwork and buying it, with questions on dimensions, condition, documents, costs and delivery.
